If you’ve ridden on BART lately, you might have seen a photograph of a blue and white beach umbrella standing at the edge of a green farmer’s field. The caption reads, “Those are potatoes.” Or one with a girl in a cowboy hat standing upright in her horse’s saddle, swinging a lasso over her head. The caption: “She’s Also Pretty Good At Volleyball.” Or one with a boy wearing a green 4H tie, proudly holding a goat to his side. “Jesús and Lightning,”
The photos are visions of rural California, pasted on the walls one of the state’s most iconic urban structures.
One hundred years ago, on a late May evening in Paris, an 11-minute ballet so scandalized audiences that it’s still making waves today.
“Afternoon of a Faun” was choreographed by then-23-year-old Vaslav Nijinsky for the Ballet Russes. The dancers were barefoot and the angular movements of the dance rejected the formal constraints of classical ballet. Then there was the issue of the subject matter, which was overtly sexual in a way that audiences of the time had never seen.
Community Works started working with inmates in San Francisco's jail system in 1997. Since then, the program has grown to include programs for men who have committed domestic violence and for children with incarcerated parents. On Saturday, Community Works is celebrating its 15th anniversary with a benefit show at the Brava Theater in San Francisco. KALW's criminal justice editor Rina Palta sat down with a team from Community Works to discuss where the program has been, and where it’s going.