Walker Evans, gelatin silver print; collection of the J. Paul Getty Museum, Los Angeles; © Walker Evans Archive, The Metropolitan Museum of Art, New York

Four hundred items in one exhibit? What were they thinking? Who has the time, or interest, for that much material? I was getting museum fatigue just reading the press release for the Walker Evans photo retrospective at the San Francisco Museum of Modern Art (SFMOMA).

This week on KALW's showcase for the best stories from public radio podcasts and independent radio producers...

Pak Han

This week on KALW's showcase for the best stories from public radio podcasts and independent radio producers...

Steven Short

“Be sure to take the stairs!”

That’s good advice from a cardiologist, and in this case it’s good advice for anyone visiting the new San Francisco Museum of Modern Art (SFMOMA).

Oh, there are elevators, of course — old leisurely ones and new speedier ones. But Craig Dykers, co-founder of the Snohetta architectural firm and lead designer of SFMOMA’s newly completed expansion, isn’t giving health recommendations. He wants you to experience the stairs as art.


Take a peek at our suggestions of unique events happening around the Bay Area this weekend.

Courtesy of Flyaway Productions

Sights & Sounds is your weekly guide to the Bay Area arts scene through the eyes and ears of local artists. This week, our guest is Jo Kreiter, artistic director of Flyaway Productions. 

City Visions host Joseph Pace talks to the curators of "Fertile Ground: Art and Community in California," a new exhibit of the Oakland Museum of California and SFMOMA.  The exhibit highlights four creative communities in the Bay Area that influenced the art world.  By weaving together the museums' holdings of California art and ephemera, "Fertile Ground" tells the stories of the artists and institutions that generated unique artistic innovation. 

The four key moments and communities featured are:

Charles and Ray Eames are best known as mid-20th Century designers of architecture and furniture, but they also worked in graphic design, fine art, and film. Unquestionably their most famous film was “Powers of Ten” (1968), which they describe as “a film dealing with the relative size of things in the universe, and the effect of adding another zero.”